Works since 2010

Vicious Circle 2024
Relentless Flow Of Time (solo show) 2023
Waves Of The Future 2023
FORCE FARCE FALSE 2023
Reality Will Manifest On Its Own 2022
Parallel Dimensions 2022
The More Are See 2018
Hymn to the Sun 2017
Dust 2012
Presence 2011—2017
Ambivalent 2010

Video

On the Other Side 2022—2021
Return of Lilith. Winter Solstice 2020
Inciting Force cycle 2012—2019

Inciting Force (first show) 2012
The Moon Shines Like Brass 2018—2019
Destroyed Piano 2015
Traffic Papers 2014—2018

Photo series

On the Other Side 2021
To Be at Sword’s Points 2016—2019
Not Alain Delon 2016—2018
Reflections since 2010
HEroic 2016
A Double Self-Portrait 2015
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2021
Installation:
print on glass, video projection

At the heart of the work are two antagonistic Belarusian flags. The official flag of the Belarusian government is red-green and the white-red-white flag, banned since 2020. It's the opposition flag, with which the Belarusian people go out to peaceful protests.
Since 2020 any use of protest flag symbols can be subject to fines or penalties of imprisonment and detention.

The exact dates and times of the official approval of both flags in different years are known (1918 / 1995). The artist took a symbolic image of a sky map at the time of the flags approval.
Using a light beam, the graphic image on the glass blends into a complex unified shadow creating a general field. The artist is interested in the themes of illusory reality, layering of different segments of history, non-linearity of temporal space. It's when one reality and history coming into conflict and dialogue with another is distorted and layered. And it becomes a shadow zone.

In the video projection, the artist walks along a forest road, gradually moving farther and farther into the forest. But the observer camera does not let the figure out of its field of view, bringing the receding figure closer each time. The camera doesn't let it out keeping it under observation, in focus until the figure is completely blurred and turns into a digital pixel field.
Fragment from the project “ When forms become attitudes”,
gallery Krynki, Poland,

2021