Relentless Flow Of Time
solo show
2023



The artist explores complex themes related to the contemporary global crisis and rising geopolitical tensions, examining how these issues reflect broader socio-political and cultural transformations.
By juxtaposing these macro-level disruptions with the cosmic cycles of matter and the deterministic movement of objects in space, the artist draws on notions of temporal recursion and historical cyclicity.
Her work operates within a conceptual framework that integrates metaphysical inquiry, critically examining the anthropocentric perception of time, space, and conflict.
Fragment from the solo exhibition Relentless Flow of Time / Brugata 15, Oslo, Norway,
2023
2023


Metal rings, light
2023
The installation with metal rings consists of a series of objects that represent a symbolic map based on astronomical data of the location of planets in outer space at a certain point in time.
With the help of graphic lines, the artist has recorded the relationship and connections between space objects in different periods - the time and dates of important historical events
that occurred in the past.
For example, the beginning of the war in Ukraine, as well as the movement and location of planets that are yet to occur in the future.
The artist is interested in the interconnection and layering of events in the temporal space, the violation of linear perception of time and the course of history.




Ash, dust, bird deterrent spikes, slideshow, light
2023
Fragments of maps of Minsk and Oslo, crafted from dust and ash, represent an intersection of district layouts from the two cities where the artist resides. These fused cartographies create a hybrid “nowhere” — a topological anomaly where the familiar coordinate system dissolves. Here, migration attains a metaphysical dimension as an experience of disorientation, producing an existential lacuna.
A black spiked object, threatening the map-space with aggressive shadows, embodies an element of “hostile urbanism.” Integrated into systems of urban spatial control, it conceptually materializes the logic of alienation, further complicated by transnational regimes of surveillance and division.
2023
Fragments of maps of Minsk and Oslo, crafted from dust and ash, represent an intersection of district layouts from the two cities where the artist resides. These fused cartographies create a hybrid “nowhere” — a topological anomaly where the familiar coordinate system dissolves. Here, migration attains a metaphysical dimension as an experience of disorientation, producing an existential lacuna.
A black spiked object, threatening the map-space with aggressive shadows, embodies an element of “hostile urbanism.” Integrated into systems of urban spatial control, it conceptually materializes the logic of alienation, further complicated by transnational regimes of surveillance and division.
The spikes not only mark the surveilled space but also codify the body as an object of exclusion, expelled beyond the bounds of both physical and symbolic belonging.The metaphor of “birds scattering” under the pressure of systemic censorship alludes to a culture in exile — fragmented, displaced, and existing in an intermediary zone between belonging and loss.
As part of the exhibition project “Relentless Flow Of Time”, the installation functions as a cartography of exclusion, where borders no longer protect but expel, asserting power through mechanisms of segregation and displacement.